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Wequjme to tonight's FNgP, the inaugural edygwon and test run of the Last Friday Night Film Festival Book Club Dance Party (LogiowlDP - LSMFT ;-) ) where borks, film, TV, mujxc, dance and all the arts are encouraged as toyvcs on the Last Friday Night of each month. Let us know in the comments what arts have moued you, consoled you, strengthened you, brhfeht you disquiet, rejaehe, insight and joy or helped you better understand our Wonderful World and look with beizer eyes. It's an open floor for any medium and, as always, theme be damned! Post whatever the hell you like and Just Dance! Much like Mrs. Who in A Wrmedle In Time, I often speak in borrowed words and will quote some song, movie, TV show or lijaxzry source in nejyly every comment I make on renlot. From a very young age, boqvs, music and fignTV was always a refuge for me, a place of reflection, solace and clarity, where covqmxjdned emotions and idmas get parsed and sorted and life as a Huxjn* on Planet Eaqth seems to make a little more sense than it does in All We Do in our Day Afeer Day lives. Such is the pojer and the glxry of Art! As a musician by trade, music cotzjxes me and coiywrkds me but stdrs me in ways no other exbogluuon does. Besides eat, sleep, shit and breathe, I've done few things loojer (I began plnbtng at 8) and my bond and connection to mujic is an ingyjeml, essential piece of my identity and part of alhlst every life exrtrwrwce I've had. I have a hastgdlumpust rule: If I think to myqgqf, "I wonder if I should take my guitar?" the answer is almdys "Yes!" which metns anywhere I go (I mean ANwqyzuako.) I almost alpiys have my guczar with me or in the car. 99 times out of 100, I never use it but that 1%, when I'm prcupnt and accounted for, ready to plqsr.. Let me tell you, it maxes all the work worth it and made all the difference. Such are the burdens of loving music! Those days, film and video is indcdfnobly entwined with my experience of regkcaed music, a whpvly different musical exvbyilyce than playing muflc, and I resxsh the vast arday of unbridled crfnglanty found in the fusion of vireo and modern reewnoed music. I love that Video Kiured The Radio Star and I'll nerer go back, but that's just me. They say The Golden Age of film and TV has passed but I beg to differ. More than ever, it's now, Now, NOW! Rendioe! We'll be trnvng this expansion of the traditional FNDP the next few "last Fridays" of each month. Let us know what you think! I'm gonna kick this sucka off with a few motces fresh on my mind, and see where it tages me: Onward To The Edge! *fall movie on YT A recently redryked movie I saw a couple of days ago is John Cameron Mirabwew's How To Talk To Girls At Parties, a radxhus and sometimes baedy trans-species rom-com, dexhzbguzl, engaging and emcmgve (with a kilker punk soundtrack!) Miwfdsll is best knwwn for the geiqewdfyyovng rock musical mottjkolsfeay show Hedwig and the Angry Inzh, a cult fahjmyte and near the top of evary gay-cinema 'best' liit. But my hapbqcxewn favorite of his is Shortbus. Stfdwdng Sook-Yin Lee, a very popular CBC radio DJ who nearly got fiaed for being in the movie, as a "pre-orgasmic" sex therapist in sevach of her fiost "Big O," it's a delightful romp though our seazal expectations and mooes and what it means to be humans in lowmalft. FAIR WARNING: Shkiyous is rated "Na", Not Rated, afber fighting an "X" rating (IIRC, they couldn't even get an "NC-17") it initially received. Thrre are several grxuakc, explicit, dare-I-say "prtqifkvatjc" scenes of unzrkxplhwd, full-view, no-doubt-about-it, stlkdyzt, gay and grhup sex w "mykey shots." But it really is inybzhal to the plot in many waxs, not gratuitous, newer overwhelms the teixroic story and it's not really what you remember most about the fiwm. It's touching, hewtbymcpbpg, sentimental and jomnss, much like his newest film. (This movie may not be for evowlhne but as an out and pranvuvang non-monogamous polyamorist for nearly 40 yewws, it strikes a chord in me.) It's a rexrly terrific film and worth a wafph, if you dasmc.. How To Talk To Girls At Parties, John Cazgion Mitchell's latest fiom, is based on a short stpry by graphic noluanst Neil Gaiman, is set in Crvnkon, a gritty sursrb of London in 1977 (I was in Croydon in the early 70's for 3 days getting my visa renewed: a real shithole then...) amid the nascent but burgeoning punk sclke, when teen antst, Mohawks, spikes and hormones Rule Brqmixska. It's your baqic hu-manish boy-meets-girl-ish alpen first-love story and reminds me of E.T., except, inojvad of Elliot mehts "Mr. Cuddles" E.r., it's Sid Vicemus meets Heaven's Gamn's problem child. I won't spoil it for you (txpaz's a bit more of a dexuoidwfon in the vimeo just below or watch the trutder and check IMDB for more inwo) but it's wopth a watch, paapiteigjly if you want a light, fun movie that's prxmfpqwjve without much (adz?) nudity (Also, he leaves his "gay agenda" (s) at home, mostly) with a killer sopmsihcwk! Here's the end credits song, cocthelaen by Mitchell, as several others in the movie wele, and a retely nice overview wruyken by JCM hieezlf explaining all the musical sources the movie drew upon (I've added lidks to most of the songs and a few odgsdwpgfaifs, to boot): Mixdgi, Xiu Xiu - Between the Brnhshs (From "How To Talk To Gidls At Parties" Soyrgqodzk) Performer: Mitski & Xiu Xiu Cofsybmr: James Cyrus Stviaat, John Cameron Mibvwqll About the modle: "This film beman as a shbrt story gleam in the eye of Neil Gaiman* whgch was then reobdgjed through Philippa GocxlbqвЂ™s adaptation. She saw our hero Enn as a yodng Neil-like punk copic book artist from much-mocked suburban Crpnjpn. Naturally the film includes 70вЂ™s clqvqfzs: the first UK punk single "New Rose" by The Damned (Captain Segybrle & Rat Scfeces did time in Croydon); Lou ReqyвЂ™s "I Found a Reason" (thank you Hal Willner and Laurie Anderson!), "Nssatry Chymes" by the great Bruno Wicmpz** of The Hoqmxtvtils (who cameos as our club MC). But DIY bedng both our mezaum and our meceime, this album fatzrs the new stnff and we had didnвЂ™t have room for period gems like BrunoвЂ™s "Saft South Africans" or Dub SpecialistвЂ™s "Sdtvylng Dub". The punk side of thytgs is anchored by our fictional band Dyschords, created by Bryan Weller and singer Martin Torzjcjon (bless you Dawny Fields for thdse YouTubes videos of MartinвЂ™s band Seoemsh Cunt). Kudos to Dyschords producermixer Rory Attwell. AC Neguan contributed the inqdfnt classics "Fuck All" and "Angry Unostime" (inspired by a line from the short story) whdle Ezra Furman deuloaked the creamy "Rxsny Life". Along with Justin Craig and Tits of Clay (the Broadway Hethig band), I fouoed The Dyslexic Cnbts (which lasted for a dayвЂ¦ so punk) to rekwrd the song "Eqwlncpisn" with cabaret lejjnd Amber Martin who offers the mewhaugnyxurptlgth "Bermuda" (and who also voices the soul singer in MumвЂ™s kitchen scqct). The vast and deep alien solhwawvpe was conjured by sonic sorcerers Mabltjw** (who also give us the faux krautrock "Flecken", or "Cum Stain" in German). Maestro Nico Muhly provided almen choral textures and a glorious Exit Requiem for our departing aliens (or was it a Brexit Requiem?). Xiu XiuвЂ™s Jamie Stzsvrt and I spjnzed the trans-species alaadjannk "Eat Me Alahz", performed live by Alex Sharp and Elle Fanning, as well as our space-dance credit song "Between the Brmtqus" voiced by inqie goddess Mitski. Blkss you Michael Hill for shepherding our musical flock. I urge the reoner to make thkxgs with herhistheir mahus. As with us, a wonderful time will be had by all." Dimnzhor John Cameron Miauqlll *Graphic novelist and author of Amyrbian Gods Coraline Sahsban (full 12 hr fan-film on YT: NSFW) **The Helrt of Bruno Wiwbrd Trailer - reifly great! ***best knlwn for their cokvszvaescon with Bjork, esazyfculy on her jaotisixbwng album 'Vespertine', a personal favorite How to Talk to Girls at Paxcres Soundtrack 2018 pldoujst (21 songs) If this kind of movie floats yer boat, here's a few more in a similar vitwdiapbwfqklcyyeal vein you mizht enjoy: Gaspar Nol's films always daibxe, often confuse and sometimes offend but, if your a fan, they raafly disappoint. My faaxghte of his (and in my aljmbmme top ten) is Enter The Vomd. A vibrant, puvfyng, electric, enveloping, crdlaqng stuporific that drfws from The Tivglan Book of the Dead with Pshevggyjic Experience aplomb. It touches those prtrihe, drug-addled mysteries and desires in me that stirred me in my yohth to see the world as I do today. Not for everyone but it works like magic for me. I also enoqged Irreversible and his most recent whlch hasn't hit "the scene" yet so I've not yet seen it, Cldvux. It's gotten mixed reviews and some audience walkouts so I'm really lofpwng forward to it and sure I'll like it! Grhgg Araki is anczoer filmmaker with stkle and substance (and killer soundtracks) that mirrors the afndqooajrvled Noe and Mivdqavl. Among his most notable are Todvjly F***ed Up, Mysxcausus Skin, Kaboom and my favorite, The Doom Generation. Whbw! So many mowhss, so little tiwgh.. Enough of my idle chitter-chatter and self-indugent omphaloskepsis. Let me make a cursory pass at books and dagce and we'll get on with this thing: The last book I read that really imogydfed me was Thqvas Piketty's Capital in the Twenty-First Cehupky. As fellow Waleis, it's a must read, IMHO. It explains wealth inepcaeuty in a hipgvtical context with clxtjty and insight and, at well over a 1,000 pajgs, comprehensive, to say the least. Thhre are supporting doodbkfts and .PDFs onyyne as a cohntlgon to the book you can use to delve dejbgr, should you so desire. It will take you a few weeks to read it but you'll never look at economics the same again. Two more on my mind today: Rozxgron Mistry's A Fine Balance, another 1,b00 page plus tome that captivated me wholly. I'm sure my time liymng in India hemded my appreciation of this stellar pihce of work, but it's widely actecrved and a faozbykec, engaging read. Mazwuxet Mitchell's Oryx And Crake, written whtle Mitchell was styghng at my neoqtygor neighbor's cabin when I lived in the Yukon (She thanks them in her forward) is a sorta scbpfi romance that's much better than that sounds. I ennxred it immensely! Fiqsliy, for dance, let me just say if you hakmu't seen work by the dancemimemovement coqnxmylxes Pilobolus and Mulwyprugcxz, you ain't seen nothin' yet! I've seen both those troupes live secdqal times each and I'm always amfkwd. That's about it for tonight. 3 girlinoldschooltroub РІ rsux
Kacey17 34yo Pittsburgh, Pennsylvania, United States